![]() ![]() ![]() ![]() It was a treat from first to last though, I look forward to listening again in a few more years, no doubt it will resonate even more with age. At once romantic, sensuous, comic, and somber, Brideshead Revisited transcends Waughs early satiric explorations and reveals him to be an elegiac, lyrical novelist of the utmost feeling and lucidity. I gave Irons' narration only four stars though because a couple of the accents jarred a bit (mostly Rex's, I'm glad Waugh didn't make him Australian), but overall he handles the large cast with aplomb (he must have picked up a lot from all those knights and dames back in the 80s). I'd forgotten how funny it was, though, Rex's failed Catholic conversion and Antony Blanche's appearances being the comic highlights. Brideshead Revisited is actually a wildly entertaining, swooningly funny-sad story about an iumpressionable young man, Charles Ryder, who goes to Oxford in the 1930s and falls in love with a family: the wealthy, eccentric, aristocratic Flytes, owners of a grand old country house called Brideshead.Told in flashbacks from the dark days of World. ![]() I can't possibly be objective about the novel itself, it is inextricably bound up with my adolescence (I first read it when the TV version was being shown) and is one of the main reasons that drew my wife and me together (we named our third son Charles Sebastian). The scenes from that incomparable drama floated through my head as he read, bringing all the magical cast back to life (Olivier, Gielgud, Claire Bloom, Jane Asher, John LeMesurier et al, like some 70s thespian super-group), not to mention the music. What a coup for the BBC to snare Jeremy Irons, star of the 1981 TV adaptation, to revisit his role as the protagonist and narrator of Waugh's wartime masterpiece. ![]()
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